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Museums have fueled the destruction of far more knowledge than they have preserved

Close Distance

A group show at the Mills Gallery I’m involved with (a video installation) — I rarely show at galleries and let me point out that I don’t think there is anything special in this decision. Yet it’s been a reluctant, uncomfortable journey for me to approach the white cube again. Let’s say something wise about questioning your own dogma and let’s finish by saying something hopeful about risk-taking and autodidactism. 

Central American Immigrants Rest In Northern Mexico On Their Journey To The United States (via Latin America News Dispatch)

Central American Immigrants Rest In Northern Mexico On Their Journey To The United States (via Latin America News Dispatch)

Temperley London Circus Zoetrope (by LEGS MEDIA)

“How I Came to Work at the Wendy’s” by Nick St. John.

“How I Came to Work at the Wendy’s” by Nick St. John.

Museums have fueled the destruction of far more knowledge than they have preserved

Close Distance

A group show at the Mills Gallery I’m involved with (a video installation) — I rarely show at galleries and let me point out that I don’t think there is anything special in this decision. Yet it’s been a reluctant, uncomfortable journey for me to approach the white cube again. Let’s say something wise about questioning your own dogma and let’s finish by saying something hopeful about risk-taking and autodidactism. 

Central American Immigrants Rest In Northern Mexico On Their Journey To The United States (via Latin America News Dispatch)

Central American Immigrants Rest In Northern Mexico On Their Journey To The United States (via Latin America News Dispatch)

Temperley London Circus Zoetrope (by LEGS MEDIA)

“How I Came to Work at the Wendy’s” by Nick St. John.

“How I Came to Work at the Wendy’s” by Nick St. John.

"Museums have fueled the destruction of far more knowledge than they have preserved"

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Camera Arts in Boston