“La Tour de Pise”, directed by Michel Gondry (1993) vs. “Zorn’s Lemma” (1970) by American structural experimental filmmaker Hollis Frampton. (Early last month, the Harvard Film Archived screened Hollis Frampton’s “Hapax Legomena” cycle but alas I have yet to see Zorn’s Lemma projected in Boston.)
Cambridge Common 1971. From the Nick DeWolf photo archive.
dictaphone : la piscine | michelangelo antonioni. perfect for this breeding, mixing, stirring rainy day in Boston.
(Source: youtube.com)
A petition of support for L’Abominable, the artist-run DIY Super-8, 16mm and 35mm film lab which is in danger of being evicted. #film
After a hiatus of many moons I’ve finally knocked the cobwebs from this space. Let’s begin a conversation shall we.
I am not a hunter and gatherer: I don’t walk with my camera strapped to my neck looking for the world to reveal itself to me but if I was and this happened to me, this moment, this image… I would take it as a sign from the photo gods that I was doing the right thing.
Shown above: West Nineteenth Street (Yellow Dress) by Joseph O. Holmes.
via Jen Bekman’s blog (jenbee)
Camera Arts in Boston
